{"title":"Seihandō 精版堂","description":"Seihandō Collection is our special collection of out-of-print and rare books on Asian arts, encompassing China, Japan, Korea, Central Asia, India, Himalayas, and Southeast Asia.","products":[{"product_id":"a-japan-legacy-9780912964874","title":"A Japanese Legacy: Four Generations of Yoshida Family Artists","description":"\u003cp\u003eCatalogue of an exhibiton at the Minneapolis Institute of Arts in 2002.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis major exhibition presents over 160 oil paintings, watercolors and woodblock prints by eight artists from a single family spanning four generations and over 100 years. Featured artists include Kasaburo Yoshida, Hiroshi Yoshida, Toshi Yoshida, Hodaka Yoshida, and the Yoshida women: Fujio, Chizuko, Kiso, and Ayomi, with approximately 20 oil paintings, 15 watercolors, and 100 woodblock prints, several sketchbooks, and other supporting photographs. These fine works are drawn from both public and private collections, most notably The Minneapolis Institute of Arts, the Toledo Museum of Art, Margaret and Eugene Skibbe (Minneapolis), the Tokyo National Museum, The Fukuoka Art Museum, and the Yoshida family.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e208 pages, Softcover, 2002.\u003c\/span\u003e\u003c\/p\u003e","brand":"AMR","offers":[{"title":"Default Title","offer_id":13017777286,"sku":"A japan legacy 9780912964874","price":2500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/a-japanese-legacy-four-generations-of-yoshida-family-artists-22.jpeg?v=1451127080"},{"product_id":"les-bronzes-chinois","title":"Les Bronzes Chinois: Le Guide du Connaisseur by Christian Deydier","description":"\u003cp\u003eA guide to collecting Chinese archaic bronzes by Christian Deydier, French Edition. หน้งสือแนะนำเครื่องสำริดโบราณจีนสำหรับนักสะสม เขียนโดย Christian Deydier พ่อค้าของโบราณชื่อดัง ฉบับภาษาฝรั่งเศส \u003c\/p\u003e\n\u003cp\u003e252, 28 x 28cm, Hardcover, 1980\u003c\/p\u003e\n\u003cp\u003eFair condition, some wear สภาพยังดี มีร่องรอยการใช้เล็กน้อย\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MICHAEL","offers":[{"title":"Default Title","offer_id":39623738622143,"sku":"","price":4500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/S__45875772.jpg?v=1618977012"},{"product_id":"oriental-lacquer-by-luzzatto-bilitz-oscar","title":"Oriental Lacquer by Luzzatto-Bilitz Oscar","description":"\u003cp\u003eLacquer is the resin of a tree which grows in China and Japan. The technique of working the resin is delicate and slow; sometimes as many as 200 or 300 coats may be needed, and infinite patience is required as each layer must dry before the next is applied. The author describes the different techniques and styles that have evolved from antiquity to modern times, ranging from simple lotus flower bowls to deeply carved boxes and ornately painted wardrobes. The incredible precision of the workmanship is clearly shown in the illustrations, and a description of each object is given in the accompanying notes.\u003cbr\u003eIt is when we linger over the details of the designs that we really appreciate the refinement of this exquisite art.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14cm x 19.5cm, 158 pages, Hardcover, 1969 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs New \/ Fine)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316442828991,"sku":"","price":1000.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0282.jpg?v=1681109217"},{"product_id":"china-and-japan-in-our-museums-by-benjamin-march","title":"China and Japan in our Museums by Benjamin March","description":"\u003cp\u003e14.5cm x 21cm, 122 pages, Hardcover, 1929 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery Good)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"AMR","offers":[{"title":"Default Title","offer_id":42316452397247,"sku":"","price":1500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0274.jpg?v=1681109672"},{"product_id":"celadon-wares-by-g-st-g-m-gompertz","title":"Celadon Wares by G. St. G. M Gompertz","description":"\u003cp\u003e14.6cm x 22.3cm, 104 pages, Hardcover, 1968 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery Good) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316453314751,"sku":"","price":3500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0276.jpg?v=1681110200"},{"product_id":"oriental-art-of-india-nepal-and-tibet-by-michael-j-ridley","title":"Oriental Art of India, Nepal and Tibet by Michael J. Ridley","description":"\u003cp\u003eRichly illustrated with photographs and line drawings this book is written in a clear and simple way which will enable the reader to invest wisely and obtain the greatest pleasure from collecting Oriental Art. The author, who has collected for many years, points out the pitfalls which may befall the amateur collector and gives useful tips in the recognition of forgeries.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA valuable addition to the bookshelves of all who have an interest in the art and antiquities of India, Nepal and Tibet, it includes information which has not been generally available to collectors before. Unlike other works on the subject, the text and illustrations concentrate on the art and antiquities that are within the reach of the ordinary collector of moderate means.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe book gives a concise account of Oriental Art, both classical and folk, from the early period until the 19th Century. There are chapters on mythology, paintings, sculpture and bronzes of India, Nepal and Tibet, together with valuable identification charts and glossaries.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe cover photograph shows a fine copper gilt figure of Manjusri or Vairocana (with cakra missing) in the Dhyana asana and mudra, with inscription in Chinese. Sino-Tibetan Ch'ien-lung, 1736-1795.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14.8cm x 22.5cm, 195 pages, Hardcover, 1970 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs New \/ Fine)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}' data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316455706815,"sku":"","price":3500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0277.jpg?v=1681110568"},{"product_id":"chinese-bronzes-by-mario-bussagli","title":"Chinese Bronzes by Mario Bussagli","description":"\u003cp\u003eThe origins of bronze-working in China are mysterious and deeply rooted in ancient Chinese myths. Metallurgy in all its forms seemed miraculous to the ordinary man, and every object, sword or vessel was thought to possess a spirit of its own.\u003cbr\u003eThose who worked with metals seemed to be wizards with supernatural powers, all the more so because the melting operation was preceded, accompanied and followed by religious ceremonies, exorcism and magic rites.\u003cbr\u003eMario Bussagli describes the background to the production of Chinese bronzes in fascinating detail, and explains the significance of the different types of ritual vessel and the symbolism of the stylised decoration. The fine illustrations include objects from the Shang, Chou, Han and Tang periods, and each is described fully in the accompanying notes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13.7cm x 19.5cm, 158 pages, Hardcover, 1969 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs New \/ Fine)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316459147455,"sku":"","price":500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0273.jpg?v=1681111659"},{"product_id":"art-artefacts-and-chronology-in-classical-archaeology-by-william-r-biers","title":"Art, Artefacts and Chronology in Classical Archaeology by William R. Biers","description":"\u003cp\u003eThe museums of the world are full of statues and other artefacts of the Greeks and the Romans. All are given a date. But how are these dates arrived at? What is the evidence?\u003cbr\u003eThis study provides the student with an introduction and explanation of the ways scholars date the archaeological remains of classical antiquity. Specific examples from architecture, sculpture, and painting are presented, and the different methods of dating them are explained. These are supplemented with many original photographs and drawings. Old and not-so-old problems in chronology are thus investigated and new theories reviewed from a fresh perspective.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14cm x 21.5cm, 105 pages, Softcover, 1992 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs New \/ Fine)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316460982463,"sku":"","price":1500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0275.jpg?v=1681112651"},{"product_id":"the-wares-of-the-ming-dynasty-by-r-l-hobson","title":"The Wares of the Ming Dynasty by R. L. Hobson","description":"\u003cp\u003e20.4cm x 27.5cm, 208 pages, 59 plates, Hardcover, 1973 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery Good)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316461113535,"sku":"","price":3800.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0279.jpg?v=1681113137"},{"product_id":"sung-porcelain-stoneware-by-basil-gray","title":"Sung Porcelain \u0026 Stoneware by Basil Gray","description":"\u003cp\u003eThe Sung Dynasty in China (960-1279) has parallels in western Europe of the 18th century.\u003cbr\u003eIt was an era of great sophistication in art and literature, of expansionism, of revolutionary innovations in agriculture and industry, and it was sporadically disrupted by cataclysmic violence. One of its chief glories was its porcelain. The subtle beauty of its glazes, colours, shapes and decoration, its technical virtuosity and its endless variety are breathtaking. They are also characteristic, as is the linking of change to continuity. Many Sung styles and techniques had their roots in the Tang period and many remained in evidence well into Yüan times. Basil Gray's important new study has been long awaited: it is the first monograph to tackle the subject in its entirety, taking into account the rich archaeological evidence recently obtained from kiln sites and elsewhere.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16.3cm x 25.5cm, 205 pages, Hardcover, 1984 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs New \/ Fine) \u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316466946239,"sku":"","price":4500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0291.jpg?v=1681115737"},{"product_id":"song-ceramics-by-lu-yaw-feng-xianming-mary-tregar","title":"Song Ceramics by Lu Yaw, Feng Xianming \u0026 Mary Tregar","description":"\u003cp\u003eWith an Illustrated Catalogue of the Exhibition Organized by the Southeast Asian Ceramic Society and Held at the National Museum, Singapore in May-June 1983.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis copy is no.1628 of a limited edition of 2,000 copies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e19cm x 26.5cm, 163 pages, Hardcover, 1983 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs New \/ Fine)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316467536063,"sku":"","price":2800.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0290.jpg?v=1681116359"},{"product_id":"tang-pottery-porcelain-by-margaret-medley","title":"T'ang Pottery \u0026 Porcelain by Margaret Medley","description":"\u003cp\u003eDuring the rich and colourful T'ang dynasty, which lasted from 618 to 906, Chinese civilization reached one of its high peaks, some would say its highest peak of all. Territorial expansion and international trade led to an unprecedented influx of foreign merchants and diplomats, of new ideas and fashions. There was a fresh and open delight in the arts, in painting, poetry, music, and not least in ceramics. Scarcelv ever before had the world seen such virtuosity, variety and sheer joie de vivre in their production. It is remarkable that Margaret Medley's T'ang Pottery and Porcelain is the first major book to have been solely devoted to the subject. It will be of the greatest value to anyone with an interest in Chinese history and ceramics.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe most significant developments in T'ang times were the gradual supersession of earthenware b stoneware and the successful creation of pure white wares, together with the manufacture of fine porcelain towards the end of the dynasty. The white wares immediatelv became popular from Indonesia to Egypt. The lead-glazed wares with their vivid polvchrome decoration and the livelv realism of the tomb figures of men, women and animals, especially horses, were also widely popular, the figures being important documents of social history. In spite of the fact that kilns became associated for the first time with particular wares in the T'ang period, the chronology of T'ang ceramics is full of problems and pitfalls. These have been faced squarely and tackled systematically by the author.\u003cbr\u003eMargaret Medley, who is Curator of the Percival David Foundation of Chinese Art in the University of London, is an internationally known expert on Chinese art, and has written a number of other books in the field, among them Yuan Porcelain and Stoneware and The Chinese Potter: A Practical History of Chinese Ceramics.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16.5cm x 25.5cm, 151 pages, Hardcover, 1981 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs New \/ Fine)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316471763135,"sku":"","price":4500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0295.jpg?v=1681116852"},{"product_id":"ancient-chinese-bronzes-by-william-watson","title":"Ancient Chinese Bronzes by William Watson","description":"\u003cp\u003eSince it appeared in 1962, Professor Watson's masterly account of the bronzes of ancient China from the earliest times down to the Han Dynasty has come to be regarded as the standard work on the subject. For this new edition, he has added a long preface incorporating the results of the latest research - in particular the substantial research carried out by Chinese field archaeologists in the past few years - and seven new colour plates. He has also made a number of corrections and amplifications in the main text and expanded the bibliography.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16cm x 25cm,  128 pages, 104 plates, Hardcover, 1977 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery Good)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316473106623,"sku":"","price":3500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0288.jpg?v=1681117418"},{"product_id":"yuan-porcelain-stoneware-by-margaret-medley","title":"Yüan Porcelain \u0026 Stoneware by Margaret Medley","description":"\u003cp\u003eThe culture of Asia during the period of Mongol domination in the thirteenth and fourteenth centuries has in recent years begun to attract an attention that is long overdue. In China, during the short period of less than a hundred and fifty years when they ruled as the Yuan dynasty, the Mongols can now be seen to have acted quite unconsciously as a catalyst in the field of the arts, and nowhere is this more apparent than in the realm of ceramics to which this book is devoted. In the history of Chinese ceramics the period is marked by a richness of invention, both aesthetic and technical, which changed the whole direction of the art and craft. One of the most important features of the age was the impact of Near Eastern artistic influences, which became for a time a predominant stimulus for the experimentalism seen especially in the early fourteenth century, and without which the later flow of Chinese influence westward would have been much less startling and fruitful in its results. The aim in this book has been to see the evolution of Chinese porcelain and stoneware against the background of social change and economic pressures. Not only are the innovations both technical and artistic, such as are seen in the blue and white examined, but the chronology is also studied in the light of the archaeological work of recent years.\u003cbr\u003eMiss Medley, as curator of the Percival David Foundation of Chinese Art in the University of London, is uniquely placed to study the material, so much of which is immediately available in this country, and to discuss a period as remarkable for the inventiveness of its potters as for the rapidity of its technical and industrial development.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16.5cm x 25.5cm, 139 pages, 124 plates, Hardcover, 1974 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery Good) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316474515647,"sku":"","price":4500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0287.jpg?v=1681118176"},{"product_id":"the-royal-hunter-art-of-the-sasanian-empire-by-prudence-oliver-harper","title":"The Royal Hunter: Art of the Sasanian Empire by Prudence Oliver Harper","description":"\u003cp\u003eThis authoritative study has been prepared by Prudence Oliver Harper, Curator, Department of Ancient Near Eastern Art, The Metropolitan Museum of Art. A specialist who has written widely on Sasanian metalwork, Dr. Harper has provided informative essays on the art and history of the Sasanians as well as meticulous notes on the individual objects. Three other scholars have contributed to this volume:\u003cbr\u003eJens Kröger (Stucco), Carol Manson Bier (Textiles), and Martha L. Carter (a selection of five objects). More than 1so illustrations, ten in color, record the beauty of Sasanian art forms. Also included are a map, a chronology, and a selected bibliography.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e24cm x 27.5cm, 175 pages, Hardcover, 1978 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery Good)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42316475498687,"sku":"","price":2800.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0286.jpg?v=1681119052"},{"product_id":"porcelain-repair-restoration-by-nigel-williams","title":"Porcelain Repair \u0026 Restoration by Nigel Williams","description":"\u003cp\u003eWith this book in hand even inexperienced amateurs can confidently embark on porcelain restoration. Drawing on his wide experience as both a teacher and a restorer of porcelain, Nigel Williams explains step by step how to achieve excellent results with a variety of techniques. The would-be restorer is made aware of the many options open and encouraged to discover which technique suits his individual taste. Since the most up-to-date materials and methods are used, this handbook will also be of great interest to the experienced professional restorer.\u003cbr\u003eEach stage in the process of repairing and restoring porcelain is illustrated with photographs and explanatory line-drawings, which include diagrams showing the function and use of specialist tools. The book concludes with an invaluable comprehensive guide to materials, manufacturers and suppliers, as well as helpful information on courses and classes\u003cbr\u003ein restoration.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNigel Williams is Chief Conservation Officer responsible for the ceramics and glass laboratories of the British Museum, where he has worked since 1961. He is Senior Tutor in porcelain repair at the Stanhope Institute.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith 53 monochrome illustrations and 8 line-drawings\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17cm x 24cm, 114 pages, Hardcover, 1983 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery Good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42317487603903,"sku":"","price":1500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0325.jpg?v=1681187946"},{"product_id":"shanghai-museum-ancient-chinese-bronze-gallery","title":"Shanghai Museum Ancient Chinese Bronze Gallery","description":"\u003cp\u003e19cm x 28.5cm, 48 pages, Softcover, Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs New \/ Fine)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42317488193727,"sku":"","price":1000.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0322.jpg?v=1681188515"},{"product_id":"weaving-paradise-southeast-asian-textiles-and-their-creators-by-linda-mcintosh","title":"Weaving Paradise: Southeast Asian Textiles and their Creators by Linda McIntosh","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWeaving Paradise\u003cspan\u003e is the catalogue of an exclusive exhibition held at the Jim Thompson Art Center curated by Dr. Linda S. McIntosh. The exhibition focused on the importance of women’s work as textile producers in Southeast Asian societies and also recognized the artistry of each textile and the creativity of the producers. Although the numerous cultures found in this region are diverse, some similarities are found how they value women as the creators of textiles. Museum-quality examples from the Tilleke \u0026amp; Gibbins Textile Collection illustrated these aspects. - Tilleke \u0026amp; Gibbins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAn Exhibition from the Tilleke \u0026amp; Gibbins Textile Collection\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e24.5cm x 28cm, 78 pages, Softcover, 2007 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs New \/ Fine)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42317490061503,"sku":"","price":3500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0320.jpg?v=1681190629"},{"product_id":"murouji-buddhist-images-from-the-national-treasure-murouji-temple-in-nara","title":"Murouji: Buddhist Images from the National Treasure Murouji Temple in Nara","description":"\u003cp\u003e19cm x 25.8cm, Softcover, 2014 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs New \/ Fine)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42317496778943,"sku":"","price":1500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0326.jpg?v=1681193493"},{"product_id":"islamic-art-an-introduction-by-david-james","title":"Islamic Art: An Introduction by David James","description":"\u003cp\u003eThe fortress-palace of the Alhambra at Granada and the Great Mosque at\u003cbr\u003eCordoba are virtually all that remain in Europe of the Muslim conquests of the Middle Ages. These exotic monuments offer the Westerner a glimpse of a culture in which art and religion were indivisible, not only in architecture - as in the magnificent mosques of Isfahan, Tamerlane's tomb at Samarkand, and the Taj Mahal - but also in ceramics, textiles and metalwork.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThroughout the Islamic world the decorative arts achieved an intricacy and refinement unsurpassed elsewhere. Nevertheless, in this introduction\u003cbr\u003eDavid James explodes the myth that all Islamic art is abstract, and illustrates for example the strong representational traditions in the various schools of manuscript painting, notably in Persia and Mughal india. Other surprises and delights await the reader who explores with the author the cities, the courts and the workshops of the vast empire that once stretched from Spain to the gates of China. He gives us the chance to see the Islamic world as a whole, so that the art can take on for us the significance that, as a matter of course, it has for the faithful.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e22cm x 29cm, 96 pages, Hardcover, 1974 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery Good)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42317510869183,"sku":"","price":1000.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0318.jpg?v=1681194033"},{"product_id":"ancient-chinese-inlaid-bronzes","title":"Ancient Chinese Inlaid Bronzes","description":"\u003cp\u003eLate Warring States - Early Western Han Periods\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e21cm x 30cm, 31 pages, Softcover, 1989 (Condition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery Good)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Condition Definition:\\nAs New \/ Fine = New or almost without defect\\nVery Good = Showing signs of wear\\nGood \/ Fair = A bit worn but complete, with defects noted\\nPoor = worn with visible defects \"}'\u003eCondition Definition:\u003cbr\u003eAs New \/ Fine = New or almost without defect\u003cbr\u003eVery Good = Showing signs of wear\u003cbr\u003eGood \/ Fair = A bit worn but complete, with defects noted\u003cbr\u003ePoor = worn with visible defects \u003c\/span\u003e\u003c\/p\u003e","brand":"Seihando Collection","offers":[{"title":"Default Title","offer_id":42317514801343,"sku":"","price":2000.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/1817\/products\/IMG_0317.jpg?v=1681195741"},{"product_id":"island-of-bali-by-miguel-covarrubias","title":"Island of Bali by Miguel Covarrubias","description":"\u003cp\u003eWhen this book was first published in 1937 the world knew Covarrubias as a brilliant painter and caricaturist, but his friends knew him also as an intelligent traveller and serious student of 'primitive life'. Both sides of his character were responsible for this book - which has come to be regarded as classic - on the Balinese people and their civilization. Only an artist could have penetrated so deeply into the spirit of the dance, theatre, music, handicrafts and sports of Bali; and only a man of learning in anthropology could have understood and recorded so accurately its religion, sexual customs, family life and economic and political organization. Written with remarkable freshness and vigour, charming as well as factual, this is surely one of the finest books on strange and distant lands.\u003cbr\u003eBeginning with a picture of Bali as the casual tourist sees it compared with what it actually is, Covarrubias proceeds to describe the geography and nature of the island and then to relate the history of the race. This is followed by a thorough account of the community, the family and the individual in all spheres of thought, emotion and behaviour. 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